Saturday, 28 September 2019 / Published in gear

FIELD RECORDING BAG

I’ve been looking for a variety of field recording bags, and in the past, I used to curry microphones in arc’teryx miura 45 and pieces of equipment in another bag, but now I can store much in this Peak Design Travel Duffelpack bag.
As you have already seen how Tim Prebble uses this bag, this bag opens from your back so no need to worry about getting dirt on your back anymore!

I tested compatible as a field recording bag, and the result was It could hold gears more than I thought.

But how about its maximum load capacity? I’ve asked them before purchasing, and their quick kind answer was they tested at well over 200+ without signs of failure!
YES! & NICE! They have such great customer support!

It is the best bag for me so far which I’d like to recommend to all colleagues and field recordists out there.
chao

SPEC:
CAPACITY
45L min, 65L max

EXTERNAL DIMENSIONS
Standard: 66cm x 38 cm x 30cm (26" x 15" x 12") Circumference: 110cm (43")

Expanded: 66cm x 42 cm x 34cm (26" x 17" x 13") Circumference: 134cm (53")
(expansion panels expand bag diameter the most thus creating a large volume increase of 20L)

INTERNAL DIMENSIONS
Standard: 26in (66cm) x 9.5in (24cm) x 9in (23cm)
Expanded: 26in (66cm) x 15in (38cm) x 9in (23cm)
Sunday, 15 September 2019 / Published in field recording

Rain sound library is available at antinodedesign.com
[email protected] 96kHz with ortf, spaced omni, XY and carefully edited.

These are some of photos I took while recording RAIN.

This place has less noise and is my favorite place.
I had been thinking a long time that I must record rain under this crib, and an opportunity suddenly came! It’s hard to tell from photos, but it was raining pretty hard. I used ortf set, omni set, and nos set this time. Nos set was very suitable for the sound of the rain falling on close leaves.

We had longer rainy season this year in Japan and I was pretty happy about it.
While people hesitated to go walk under the rain, I was recordings rain happily, at least during the time…
It was like “someone’s loss is someone’s gain”. yey!

I placed omni mic in two places and ortf set and xy set in the center inside a car to capture rain from an interior.
xy in the photo.

Rain is very unpredictable these days, so I had always prepared gears on my side for sudden rain during the period. When I thought it started raining, it suddenly stopped and vice versa, and suddenly thunders!!…
Other than seem on these photos, I found many other interesting places and sounds especially for the rain recordings, and Overall, it was fun recordings as always!

Back to recordings now!
Chao

Thursday, 04 July 2019 / Published in gear

NEW ZOOM F6
The Zoom F6 features both 32-bit float recording and dual AD converters which very interesting!
They are growing rapidly in the field recording & location sound industries these days.
We are really proud of zoom in Japan!!

More detail on ZOOM WEBSITE

Recording Media:
SD cards, SDHC cards, SDXC cards (that conform to standards)

INPUTS
Inputs 1–6:
Connectors XLR jack (pin 2 hot)

Input (mic):
Input gain +12 dB – +75 dB
Input impedance 3 kΩ or more
Maximum input level +4 dBu

Input (line):
Input gain −8 dB – +55 dB
Input impedance 5 kΩ or more
Maximum input level +24 dBu

Phantom power:
+24/+48V 10mA maximum for each channel

Equivalent input noise:
−127 dBu or less (A-weighted, +75 dB input gain, 150 Ω input)

OUTPUTS
Line output:
Connectors 3.5 mm stereo mini unbalanced output
Output impedance 100 Ω or less
Reference output level –10 dBV, 1 kHz, 10 kΩ load
Maximum output level +10 dBV, 1 kHz, 10 kΩ load
D/A dynamic range 95 dB typ (−60dBFS input, A-weighted)

Headphone output:
Connector 3.5 mm stereo mini unbalanced output
Output impedance 15 Ω or less
Maximum output level 100 mW + 100 mW (32Ω load)
D/A dynamic range 108 dB typ (−60dBFS input, A-weighted)

RECORDING FORMATS
When WAV selected:
Supported formats:
44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit/32-bit float,
mono/stereo/2-8ch poly, BWF/iXML

Maximum simultaneous recording tracks:
14 (6 inputs x 2 (Linear and Floating) + LR mix)
6 (6 inputs (Linear or Floating) at Float(32bit) Mode, 192 kHz)

When MP3 selected:
Supported formats:
128/192/320 kbps, 44.1/48 kHz, ID3v1 tags

Maximum simultaneous recording tracks:
2

RECORDING TIME
Using a 32 GB card:
30:46:00 (48 kHz/24-bit stereo WAV)
7:41:00 (192 kHz/24-bit stereo WAV)

TIMECODE
Connectors:
3.5 mm stereo mini (Tip: IN, Ring: OUT)

Modes:
Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec
(audio clock can be synchronized to timecode)

Frame rates:
23.976 ND, 24 ND, 25 ND, 29.97 ND, 29.97 D, 30 ND, 30 D

Precision:
±0.2 ppm

Allowed input level:
0.2 – 5.0 Vpp

Allowed input impedance:
4.6 kΩ

Output level:
3.3 Vpp

Output impedance:
50 Ω or less

POWER
Options:
AC adapter : DC 5V (supports USB bus power)
Sony® L-Series battery
4 AA batteries (alkaline, lithium or rechargeable NiMH batteries)

Continuous recording time:
48 kHz/16-bit 2ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off):
Alkaline batteries 7.5 hours or more
NiMH batteries
(2450 mAh)
10.5 hours or more
Lithium batteries 16.5 hours or more

48 kHz/24-bit 6ch recording to SD card (LINE OUT off, TIMECODE off, LED/LCD Brightness 5, headphones into 32Ω load, PHANTOM off):
Alkaline batteries 5.0 hours or more
NiMH batteries
(2450 mAh)
7.0 hours or more
Lithium batteries 10.5 hours or more

192 kHz/24-bit 6ch recording to SD card (LINE OUT on, TIME CODE set to Int Free Run, LED/LCD Brightness 60, headphones into 32Ω load, PHANTOM at 48 V):
Alkaline batteries 0.5 hours or more
NiMH batteries (2450
mAh)
1.5 hours or more
Lithium batteries 3.5 hours or more

Display:
1.54″ full-color LCD (240 × 240)

USB
Mass storage operation:
Class USB 2.0 High Speed

Multitrack audio interface operation (driver required for Windows, no driver required for MacOS):
Class USB 2.0 High Speed
Specifications Sampling rate 44.1/48/88.2/96 kHz
Bit Rate 16/24-bit
Channels 6 in/4 out

Stereo mix audio interface operation (no driver required):
Class USB 2.0 Full Speed
Specifications Sampling rate 44.1/48 kHz
Bit Rate 16-bit
Channels 2 in/2 out
Note: iOS device audio interface operation supported (stereo mode only)

AIF with Rec operation (driver required for Windows, no driver required for MacOS):
Class USB 2.0 High Speed
Specifications Sampling rate 44.1/48 kHz
Bit Rate 16/24-bit
Channels 8 in/4 out

Power consumption:
10 W

External dimensions:
100 mm (W) x 119.8 mm (D) x 62.9 mm (H)

Weight:
520 g

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